Jenny Holzer

Even though I have already posted for Ada Lovelace Day, an exchange I had with a colleague earlier today led me to want to post about someone else. I accidentally printed the entirety of a lengthy PowerPoint presentation. After the pages I actually needed printed, I canceled the print job and went to my meeting. When I got back there was a stack of messed up printouts from the failure of the print job to, well, fail gracefully. There were pages of random letters in random length rows. A colleague saw me staring at one of the pages and exclaimed "text art!" I immediately thought of Jenny Holzer.

Jenny Holzer is famous for her text-based art featuring short statements, or "truisms." Some are well known cliches while others are random phrases or slogans or exerpted phrases from larger texts or documents. Her work explores the use of words and ideas in public spaces. She works in a variety of media, including large scale xenon projections, LED signs, the Internet, plaques, benches, stickers, T-shirts, and street posters. I cannot begin to describe how mesmerizing her work is, whether a large-scale projection or an immersive gallery space. For over thirty years she has joined ideology with space through text using technology. I just found out that she is on twitter.

I cannot remember where I first encountered her work. It may have been at SFMoMA. It may have been at the DeCordova Museum in Lincoln, Massachusetts (one of my absolute favorite museums that not enough people know about). Or it might have been at Mass MoCA. I very much want to see the exhibition of her work at the Whitney, on display through May 31, 2009. There's a detailed review in the New York Times.

Ada Lovelace Day

I have had the pleasure in my life of working with a number of strong (and strong-willed) women who have seen me through various stages of my career. On the occasion of Ada Lovelace Day, I'd like to write about a colleague who I have known for many years, although we only had the opportunity to work in the same place for 4 weeks: Caroline Arms.

Caroline joined the Library of Congress in 1995 to work on the American Memory project. While the initial focus of the project was digitization and access, she saw the underlying issue that was created by such an effort: preservation. There was a profound lack of awareness in the library world about digital preservation at the time.

Caroline thought long and hard about the life cycle of digital objects, focusing in particular on one of the most vital areas that have consequences for all preservation efforts: standards for metadata and file formats. Preservation is always easier if good choices are made about digital formats. Curators should make collection decisions knowing which formats will and won’t be easily sustainable. For an object to be useful long into the future, its formats should be carefully selected and the specifications and characteristics of its formats must be documented.

Caroline and LC colleague Carl Fleischhauer’s exhaustive format research led to their creation of the Digital Formats web site, the first definitive inventory of information about current and emerging digital formats. The site is an essential resource for the international digital preservation community. Caroline also made a concerted effort to promote the use of formats with open standards, and to shepherd file formats through the standards review process.

She was also involved with the development of the Open Archives Initiative Protocol for Metadata Harvesting. I first met Caroline working on a collaborative OAI harvesting project, and I owe much of my expertise to her mentoring.

It was a great loss to LC that Caroline retired in June 2008. She did not retire from the community, however, and is participating in a LC group looking at metadata even now.

Thank you, Caroline.